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Measures: 60 - 150
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Handel
HWV63A3N58 - "See, the conquering hero comes"
edward.maurath
3:33 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
Treble 13 0 2 8 67%
Alto 11 0 1 6 58%
Organ
as by
Handel		 14 0 1 6 58%
Soprano
II		 12 0 3 6 58%
French Horn
I		 Treble 9 0 1 6 50%
French Horn
II		 Treble 9 0 1 6 50%
Oboe Treble 13 16 2 6 35%
Bass Bass 9 0 1 6 33%
Cello Continuo Bass 9 0 1 6 33%
Cortrebass Continuo Bass 9 0 1 6 33%
Organ Continuo Treble 16 18 3 5 33%
Organo Continuo Bass 10 1 1 6 33%
Tenor 8 0 2 6 33%
Viola 9 0 1 4 33%
Violin
I		 Treble 9 0 1 5 33%
Violin
II		 Treble 10 0 2 8 33%
 
Hallelujah Chorus - Handel - Brass Quintet!
Iowabob
3:24 Est. Play
Time
96 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trombone Bass 13 0 1 8 97%
Tuba Bass 19 0 2 8 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trombone Bass 13 0 1 8 97%
Tuba Bass 19 0 2 8 97%
Horn
in
F		 Treble 15 0 2 8 93%
B♭
Trumpet		 Treble 16 0 1 8 86%
Treble 16 0 2 8 90%
 
Händel - Lascia Ch'io Pianga, for Flute and Harp
Hyeon Kim
0:01 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV26A1 - Se il mar promette calma - G Major
edward.maurath
4:08 Est. Play
Time
65 Measures
1,469Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
Viola 22 0 7 3 97%
Violino
1		 Treble 23 0 6 7 97%
Violino
2		 Treble 24 0 7 6 97%
Double
Bass Continuo		 Bass 22 0 7 3 95%
Violoncello Continuo Bass 23 0 7 3 95%
Bass
as Clodomiro		 Bass 17 0 6 8 75%
Bassoon Continuo Bass 23 0 7 4 75%
 
Händel - Lascia Ch'io Pianga, for Flute and Cello
Hyeon Kim
3:36 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
Cello Bass 20 0 2 8 89%
Flute Treble 15 0 3 11 89%
 
Sonata 3 (HWV 361)
Norman Schmidt
6:57 Est. Play
Time
115 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 25 3 7 11 100%
Bass 22 1 6 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 25 3 7 11 100%
Bass 22 1 6 8 100%
 
HWV61A3N60 - Great victor at thy feet I bow
edward.maurath
4:48 Est. Play
Time
130 Measures
1,206Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 27 134 8 9 98%
Bass 22 65 6 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 27 134 8 9 98%
Bass 22 65 6 4 98%
Violoncello Continuo Bass 21 0 5 5 98%
Vln
1		 Treble 23 0 7 8 66%
Vln
2		 Treble 21 0 4 7 65%
Vcl Bass 19 0 4 5 63%
VNE Bass 18 0 4 5 63%
CYRUS 15 0 4 5 45%
NITOCRIS 14 0 4 5 42%
 
Hallelujah Chorus
clcworship
3:17 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 37 1 8 96%
Bass 19 20 1 8 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 37 1 8 96%
Bass 19 20 1 8 97%
Voice Treble 12 0 0 8 84%
B♭
Trumpet
II		 Treble 12 0 1 8 51%
B♭
Trumpet
I		 Treble 9 0 0 8 49%
 
Messiah| No.41: Let Us Break Their Bonds Asunder
Pete Alan
1:42 Est. Play
Time
68 Measures
1,277Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 1 4 7 100%
Violas 20 1 6 6 99%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 23 1 4 7 100%
Violas 20 1 6 6 99%
Violins Treble 24 0 5 8 91%
Treble 24 0 5 7 91%
Fagott Bass 22 0 4 7 91%
Cembalo Treble 23 49 6 7 87%
Bass 26 72 5 7 84%
Tenor Treble 15 0 4 5 82%
Oboe Treble 15 0 4 6 74%
Soprano Treble 15 0 4 6 74%
Alto Treble 12 0 2 6 69%
Bass Bass 15 0 3 6 65%